Green Wish began as a nonprofit organization funding local, green organizations through customers’ small donations at local retailers. Put simply: we were a charity that helped fund green projects in local neighborhoods. Much was accomplished by local chapters.

Green Wish has expanded its mission. We came to realize that efforts to preserve and protect the environment often address multiple issues that we face as cities and as citizens. And, we know from our past work with our production company, Wishing Well Entertainment, that documentary filmmaking can be a powerful tool to engage and inspire. Instead of fundraising, our work now focuses on the use of film to address environmental, economic and cultural change, whether it’s the restoration of the LA River or the challenge of food scarcity in Los Angeles.

Based on our close work with local nonprofit and for-profit organizations, we are confident that our new approach, touching on our deepest humanist values, advances broader efforts to evolve the culture and change the future of a community.

Raphael Sbarge, Founder, on the Evolution of Green Wish

I started Green Wish, inspired by one thing: the birth of my daughter Gracie. As a parent looking out into the world she would inherit, what I saw was a planet beset by environmental challenges. My father’s instinct was to do whatever I could to make it a better place. But how would I do that? I became overwhelmed almost immediately, simply because environmentally-speaking there was just so much need. How could one person make any significant difference with so much that needed to be done?
So, I set out to create an organization that did maximum good, just by creating a nonprofit that was an “umbrella-of-green;” a non-profit whose sole purpose was to set up chapters in cities around the country, have their local boards identify small, community-based environmentally-based nonprofits, and then raise money to support their core mission: making the world greener, more sustainable. The groups they identified were doing important shovel ready work, by contributing to the earth, air, water, and sustainable education. Green Wish therefore became a composite of small, important community-based nonprofits in those cities, and when you gave to your Green Wish chapter there, you were giving not to one, but to five or more different groups who were doing shovel ready work. Mostly you were giving for one cause: the help the planet, by helping those in the sustainable movement— locally— get the job done, one shovel at a time.
I founded Green Wish and was its Executive Director for ten years, and five years ago, we received a generous grant from The California Institute of Contemporary Art, to expand our educational program. I decided to use my production company, Wishing Well Entertainment, to make a film about one of our donor groups in Los Angeles, called Friends of the LA River. They were a remarkable organization who had done astonishing work and had become the most critical voice in restoring the Los Angeles River (which looks like a drainage ditch to so many). This became a 20-minute film that explored the history of the river (called A Concrete River) and gave context to the work that they were doing. It was made to be shown on their interactive mobile education center, called the River Rover, and our film was at the center of their exhibit, used to help people understand how important the river was, and why it was so urgent to save it, for the sake of our city, and its inhabitants.
KCET, big supporters of the river, discovered it, acquired it, and then began airing it at their fund-raising pledge drives. It was so successful–not only to raise the awareness for Friends of the LA River but for KCET to raise money for the station–that they began running it all the time. KCET then acquired the next movie we had made on climate change–Is There Hope for Planet Earth– shot entirely at Caltech with Dr. Jess Adkins, a renowned climatologist, with the hopes of providing some simple science to the issue of climate change. We attempted to do this by taking climate change out of a Red state/Blue state conversation and keeping it as a science-based conversation. He was also a dad to two young children, and so this personalized his thinking about the future for his kids, as well as a scientist. Caltech, arguably the most noble scientific institution in the world other than MIT, was so pleased with the film that they gave us their logo to attach to credits, and SoCal Connected, the multi-Emmy and Peabody award-winning news program on KCET, broadcast it as part of their Earth Day coverage in 2018.
With additional grant money, we turned our attention to another small-but-mighty organization called Food Forward, that was recovering over a million pounds a month of fresh fruit and vegetables to feed people who were hungry in the community. We created a four-minute piece to highlight the work they do, and we have been told that this piece has been pivotal in helping Food Forward receive major grant support from the state, that will double their output by 2020.
With that, I went back to KCET and pitched them an idea for a longer film on Food Forward, mainly since KCET, under its new leadership with Juan Devis, KCET’s Chief Content Officer, had made community-based, hyper-local content a part of their core mission. KCET has the largest public broadcasting audience in the U.S, over 22 million homes, as well as a broadcast relationship with LinkTV that broadcast nationally to an additional 60 million homes. This was an excellent platform for these ideas to be seen.
Juan Devis liked this idea, but then suggested that we expand it, open it out, include the history and the food waste conversation, and then broadcast it on a “food track,” not as just an environmentally-focused production. He then explained the format that KCET used for their shows, multi-level programming where we would be tasked with creating a six-part digital series, and then a one-hour broadcast movie made from those shows. And so, the documentary LA Foodways was born. I spent months researching this idea, wrote it all up, and we were encouraged to “get it done.” I then set out to tell a story about the issues we are facing today, using LA’s storied agricultural past, to create a context for where we are now, and where we are headed. This was a co-production with KCET and my production company, and is a pilot for a series, with a second season waiting in the wings.
With the success of all of these films, and with a growing awareness that we were being most effective with our film and media work, Green Wish’s mission has now changed. It is now focused on creating socially relevant content in an effort to do maximum good, to inspire and engage people to want to effect real change, through creating “content with a conscience.” In alliance with my production company, our hope is that the ideas and ideals of Green Wish will continue to do maximum good.